|         Myanmar is blessed with some amazing sights but it is its people that make the biggest impression…  
      Bagan  is the result of two and half centuries of frenzied religious building   resulting in its apogee at the end of the thirteenth century in over 4,400   temples. Today there remain a multitude of temples and pagodas, still thousands   by some accounts, some in ruins but many in good repair, stretched over miles of   sandy windswept plain. 
           
          Individually the temples are interesting -   especially those whose attraction lies within in the form of delightful frescoes   - but none have the grandeur, scale or size of the Angkor temples to make them   impressive. Moreover I found it difficult - my imagination has always been   wanting at such archaeological sites - to really imagine what Pagan was like at   its height as only the religious structures remain, the rest ravaged by looters,   time and earthquakes. 
           
          Only at the end of the day, with the vantage of   height was it possible for the first time to appreciate the scale of Bagan and   to conjure up images of an ancient city. The sum of all the parts became clear   as an extraordinary whole. 
           
          It is this whole that brings a few thousand   tourists a year to Bagan and with them an entrepreneurial local following   selling postcards, lacquerware and poorly printed copies of Orwell's 'Burmese   Days'. Life is little changed from Orwell's time and the countryside looks like   the set of Rip van Winkle, as though it has been asleep for years. Wandering   through hamlets - invariably followed by giggling children - I discover that in   the absence of a common language the surest way to trigger Burmese hospitality   was to smile. One youngster, bolder than the rest, held my hand. Courage spread   and soon we were a gaggle holding hands although the youngest would glance up   seeking reassurance from the elder children. 
           
          If Bagan was the historical   heart of Myanmar then Inle Lake is   its current heart, well at the very least it won my heart. I was immediately   cheered by the relaxed and agreeable atmosphere as I wondered around the market   of Nyuangshwe. Friendly banter and laughter was the exchange of the day.   Everyone appeared to be free of envy and greed, seemed to be at peace with   themselves, remaining cheerful and modest. Head gear was de rigueur, whether the   towelling of the Intha, the more intricate headdresses of the Akha or World War   II style German helmets worn by men on motorbikes who would venture into the   market for a couple of items and to do battle and barter with the playful   retorts of the women. 
           
          I am aware of the dangers of seeing the everyday   life of these peoples through rose-tinted spectacles and that all may not be as   it seems. However coming from a far-off country where boorish behaviour,   selfishness and an obsession with material goods are the norm, this is a world   where smiles, greetings and camaraderie are the order of the day. They have   something that we have lost - community and harmony. 
           
          Although with the   shrinking of the lake due to erosion and irrigation projects, how long such   harmony remains is a matter of some debate. However, the placid surface of the   lake is untroubled by such concerns. The lake somehow dissolves everything into   a timeless haze. The feeling of peace is overwhelming. Not even the slap and   splash of the fishermen frightening fish into their nets can detract from such   calm and tranquility. 
           
          Unsurprisingly boats are the main mode of   transport; for the lucky few motorised long-boats that skitter about the lake   like dragon fly but for most their mode of transport is a flat bottom skiff   propelled by a single wooden paddle. Unique is ubiquitous in the vernacular of   brochures and thus a word to treat with trepidation in the world of travel. Yet   in describing Inle it is apt, indeed there is no other way, not least for the   technique of leg rowing. The fisherman balances one-legged on the prow of his   boat, while curling the other leg around his oar. Photogenic, skillful and   beautiful it has become emblematic of Inle. 
           
          The lake is a silvery sheen   of shallow water lying in a ring of serrated mountains. Due to the lake's size   and the spread of villages, we did not bump into tourists as on the circuit of   Bagan (this makes it sound as if Myanmar is overrun with tourists yet the opposite   is the case). Yes there were other tourists but such is the charm and magic of   the place that it felt as though I discovering the lake for myself, that it was   revealing its innermost secrets to me alone. 
           
          On paper Inle Lake is some   thirteen miles by seven but once on the water it is hard to distinguish the lake   shore such is the industry of the people and their drifting mats of sedge. The   lake people stitch them together into floating gardens where they grow   vegetables and flowers. But the gardens are liable to drift apart, so they must   be tethered to the bottom of the lake with long bamboo staves, driven deep into   the mud - a metaphor for stake that the regime has driven through the heart of   this land of fragile beauty. 
           
          Because the bottom of the lake is full of   weed, the fisherman must hunt the catfish by its bubbles. He lifts his conical   net, like an inverted shuttlecock, and drops it into the water. Then with a long   trident he begins stabbing the mossy carpet to flush out the fish. Often he   catches nothing but catfish bubbles. 
          It is a way of life that has remained   unchanged for centuries. A way of life that it is a highlight of my travels   around the world and a real privilege to witness. 
       
       
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